Hello, fellow IWSGers! I hope October finds you doing well - er, at least as well as one can expect to be in the year 2020. Aren't we all so lucky to have our writing to distract us? After writing this post (on Sunday), I'm heading out for summa dis on this fine autumn day in the Midwest:
October Optional Question
When you think of the term working writer, what does that look like to you? What do you think it is supposed to look like? Do you see yourself as a working writer or aspiring or hobbyist, and if latter two, what does that look like?
To me, a "working writer" is someone who consistently earns a decent chunk of change through writing. They don't necessarily have to make a living at it, but it should at least be a substantial supplement to their regular income.
I guess technically I could be considered a working writer since my day job involves a lot of writing, though it's mostly in blurb form for social media, marketing emails, catalogs, etc. I occasionally get to write longer form for blogs and newsletters.
As for fiction writing, I'm definitely a hobbyist. What that looks like for me is: I write what I want, when I want. I promote when I publish a new book, but I don't expect to earn a regular income from my novels...not that I wouldn't take it if it came to me.
But that doesn't mean I haven't learned a thing or two about marketing a book, mostly through tips from other independent authors and lots of trial and error. I've experienced a couple of successes with my latest release - and some failures - so for the next few IWSGs, I want to share with you what's worked for me and what hasn't in the hopes that you'll find some tidbit to help you with your own publishing adventures.
I'll get into more detail on all of the below in future posts, but for now, a quick overview of MOLLY UNPLANNED's path so far:
Failure: Put her up for pre-order too early without marketing, so she entered release day behind the proverbial eight ball with low rankings.
Success: Released at a 99-cent sale price and advertised the heck out of her in cheap-reads newsletters. (She hit #19 in two of her categories and 3,358 overall in Amazon. But could these have been even higher without the failure above?)
Modest Success: Got a handful of reviews at Amazon on release day by offering Advance Review Copies through my author email list and LibraryThing.
Failure: I had no set marketing plan for after publication week. Molly's sales & rankings plummeted immediately after release week.
Failure: I panicked and advertised in cheap-reads newsletters at the book's then full price of $2.99. Response was abysmal. People subscribing to those newsletters only want free and .99c books.
Meh: I placed targeted Facebook Ads emphasizing "Read FREE in Kindle Unlimited." Seemed to give a small bump in KU reads and rankings, but I probably didn't make my money back. (If you're not familiar with KU and KDP, you can read all about it here.)
Working Well So Far: In September and October, I've focused on getting more reviews & ratings through new means of free and paid outreach. Molly's up to 37 Amazon ratings/16 reviews. She's offered at NetGalley this month, so wish me luck! Sometimes those romance reviewers can be pretty tough. *gulp*
Unexpected Success: One of my means for gathering more reviews & ratings was to offer the book for free through KDP (Kindle Direct Publishing) - coupled with paid promotions in cheap-reads newsletters - and this surprisingly resulted in a big boost to KU reads throughout the following weeks.
Like I said, I'll dig more into each of these, but this post has gotten too long, so I'll leave it at that for now. Thanks for stopping by. 😊 See ya at your place soon. 😉